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        Colour 
          Schemes 
        Successful colors schemes are chosen to support 
          the goals of a project. These goals might be to strengthen branding, 
          increase sales, grab attention, or maintain readership. An intelligent 
          color scheme not only looks good, but also creates a feeling in the 
          audience. Before you pick a colour scheme, decide what type of feeling 
          you wish to create - sophisticated, playful, vibrant, formal, informal, 
          etc. - and with that feeling in mind, you can then go on to choose a 
          scheme.  
         While there is more to be considered than making 
          an attractive site, knowing how to create a harmonious color scheme 
          is a strong start.  
         You can use the colour wheel to choose colours 
          for your design. Usually you pick a main colour and one, two, or three 
          accent colours. These can be pure hues, or you can choose from the tints, 
          tones, and shades. Often a scheme works best when you use contrast in 
          your colour choice; for instance, choosing a fully saturated red and 
          a fully saturated blue is usually a bad choice. However, if you tone, 
          tint or shade down one or both of the hues, then you have something 
          to work with. Calm and soothing effects can be created when the hues 
          you choose have very little contrast; but you must always be aware of 
          legibility and readability. 
        Keep in mind that if you pick a scheme that has 
          three colours, you don't necessarily have to use all three colours. 
         
        
           
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            A scheme in which similar 
                colours (‘mono’ means same, ‘chromatic’ 
                means colour) are used together. Usually tints, shades or tones 
                of the same colour - ie, add black and/or white to the core hue 
                to get your scheme.  
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            Three or four colours that 
                lie directly next to each other on the colour wheel. These work 
                because they have common primary colours. The colours are usually 
                neighbours on the colour wheel, which makes the whole scheme quiet. 
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            Two colours that lie directly 
                across the colour wheel from each other. Also called Opposites. 
               
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            Three colours equidistant 
                from one another on the colour wheel. The primary colours are 
                triadic; so are the secondary colours.  
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            A color and the two colors 
                next to its complement on the color wheel. 
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            Two sets of complementary 
                colours that appear in a rectangle on the wheel. These almost 
                always need to be varied in some way - the pure hues tend to compete. 
               
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            A four-hue scheme that adds 
                a complement of one hue to a triad.  
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          Variations on pure-hue colour schemes 
           
        
        When to use a colour scheme 
          A monochromatic color scheme puts the focus 
          on the content. It is clean and classic, and can let full colour photographs 
          shine. These schemes are often appropriate for serious business and 
          political projects; they can instill customer confidence in experience. 
         
        An analogous color scheme lends 
          a very harmonious feel to a project that is balanced visually. Choose 
          a predominant colour to establish a base, and use the others as accents 
          to maintain the soothing appearance. Nature is full of analogous themes 
          such as blue-green oceans to red-brown timbers. These schemes can represent 
          a project or client as solid, hardworking, earthy, resourceful.  
        The contrasting Triadic colour 
          schemes are harmonious but lively. Unique, quirky, satirical, exciting. 
          Try de-saturating the colours a bit to stay unique but look a bit more 
          restrained. When triad colors are used in a color scheme, they present 
          a tension to the viewer, because all three colors contrast. 
        Complementary colours are useful 
          when you want to make the colors stand out more vibrantly. If you are 
          composing a picture of lemons, using a blue background will make the 
          lemons stand out more. 
        Warm vs. Cool 
         Warm 
          colors are made up of the red hues, such as red, orange, and yellow. 
          They lend a sense of warmth, comfort, and energy to the color selection. 
          They also produce a visual result that causes these colors to appear 
          to move toward the viewer, and to stand out from the page. 
         Cool 
          colors come from the blue hues, such as blue, cyan, and green. These 
          colors will stabilize and cool the color scheme. They will also appear 
          to recede from the viewer, so they are good to use for page backgrounds. 
          
        Other ways to choose colours:  
        
          
              
               
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            Tone Colour Scheme: A tone colour 
              scheme means combining colours together that belong under the same 
              general grouping. In other words, bright colours are combined into 
              a bright colour scheme, and subdued colours are combined into a 
              subdued colour scheme. Because the colour scheme is based on related 
              colours, the overall scheme appears balanced; the key is to arrange 
              the tones as perfectly as possible. | 
           
         
         
        
           
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            Gradation Colour Scheme: This is 
              created when colours are arrayed in order according to their hue, 
              lightness, or saturation; ie, sequential. These schemes stand out 
              even when calm tones are used. Especially effective are hue and 
              lightness (value) gradations. A rainbow is a kind of gradation, 
              so are monochromatic schemes.  | 
           
         
         
         
        
           
              
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            Separation Colour Scheme: When two 
              colours look unclear because their colour values are similar, or 
              when the harshness of colours opposite in hue should be toned down, 
              use this technique. When a neutral colour is placed between two 
              colours which don’t really complement each other, it assumes 
              the role of a connector, and so the entire scheme is arranged well. 
              Neutral colours here are usually white and black – most effective 
              and clean. Next is gray; sometimes beige works. Gold and silver 
              can also work.  | 
           
          
         
        
           
              
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            One-Point Colour 
              Scheme: This is also called accent colouring. Concerned with 
              contrasts, its effect derives from the division of the surface area 
              into large and small regions with an opposing colour set into the 
              smaller area. The aim is to balance the whole scheme. For hue contrast 
              and lightness contrast, either of the opposite colours can be used 
              as the ground, but for saturation contrast, the schemes look better 
              composed if a subdued colour is used as the ground (background) 
              and a vivid colour as the point (accent). This gives priority to 
              shape, so it is essential to calculate the shapes beforehand.  | 
           
          
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