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Colour
Schemes
Successful colors schemes are chosen to support
the goals of a project. These goals might be to strengthen branding,
increase sales, grab attention, or maintain readership. An intelligent
color scheme not only looks good, but also creates a feeling in the
audience. Before you pick a colour scheme, decide what type of feeling
you wish to create - sophisticated, playful, vibrant, formal, informal,
etc. - and with that feeling in mind, you can then go on to choose a
scheme.
While there is more to be considered than making
an attractive site, knowing how to create a harmonious color scheme
is a strong start.
You can use the colour wheel to choose colours
for your design. Usually you pick a main colour and one, two, or three
accent colours. These can be pure hues, or you can choose from the tints,
tones, and shades. Often a scheme works best when you use contrast in
your colour choice; for instance, choosing a fully saturated red and
a fully saturated blue is usually a bad choice. However, if you tone,
tint or shade down one or both of the hues, then you have something
to work with. Calm and soothing effects can be created when the hues
you choose have very little contrast; but you must always be aware of
legibility and readability.
Keep in mind that if you pick a scheme that has
three colours, you don't necessarily have to use all three colours.
Scheme |
Definition |
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Examples |
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A scheme in which similar
colours (‘mono’ means same, ‘chromatic’
means colour) are used together. Usually tints, shades or tones
of the same colour - ie, add black and/or white to the core hue
to get your scheme.
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Three or four colours that
lie directly next to each other on the colour wheel. These work
because they have common primary colours. The colours are usually
neighbours on the colour wheel, which makes the whole scheme quiet.
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Two colours that lie directly
across the colour wheel from each other. Also called Opposites.
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Three colours equidistant
from one another on the colour wheel. The primary colours are
triadic; so are the secondary colours.
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A color and the two colors
next to its complement on the color wheel.
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Two sets of complementary
colours that appear in a rectangle on the wheel. These almost
always need to be varied in some way - the pure hues tend to compete.
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A four-hue scheme that adds
a complement of one hue to a triad.
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Variations on pure-hue colour schemes
When to use a colour scheme
A monochromatic color scheme puts the focus
on the content. It is clean and classic, and can let full colour photographs
shine. These schemes are often appropriate for serious business and
political projects; they can instill customer confidence in experience.
An analogous color scheme lends
a very harmonious feel to a project that is balanced visually. Choose
a predominant colour to establish a base, and use the others as accents
to maintain the soothing appearance. Nature is full of analogous themes
such as blue-green oceans to red-brown timbers. These schemes can represent
a project or client as solid, hardworking, earthy, resourceful.
The contrasting Triadic colour
schemes are harmonious but lively. Unique, quirky, satirical, exciting.
Try de-saturating the colours a bit to stay unique but look a bit more
restrained. When triad colors are used in a color scheme, they present
a tension to the viewer, because all three colors contrast.
Complementary colours are useful
when you want to make the colors stand out more vibrantly. If you are
composing a picture of lemons, using a blue background will make the
lemons stand out more.
Warm vs. Cool
Warm
colors are made up of the red hues, such as red, orange, and yellow.
They lend a sense of warmth, comfort, and energy to the color selection.
They also produce a visual result that causes these colors to appear
to move toward the viewer, and to stand out from the page.
Cool
colors come from the blue hues, such as blue, cyan, and green. These
colors will stabilize and cool the color scheme. They will also appear
to recede from the viewer, so they are good to use for page backgrounds.
Other ways to choose colours:
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Tone Colour Scheme: A tone colour
scheme means combining colours together that belong under the same
general grouping. In other words, bright colours are combined into
a bright colour scheme, and subdued colours are combined into a
subdued colour scheme. Because the colour scheme is based on related
colours, the overall scheme appears balanced; the key is to arrange
the tones as perfectly as possible. |
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Gradation Colour Scheme: This is
created when colours are arrayed in order according to their hue,
lightness, or saturation; ie, sequential. These schemes stand out
even when calm tones are used. Especially effective are hue and
lightness (value) gradations. A rainbow is a kind of gradation,
so are monochromatic schemes. |
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Separation Colour Scheme: When two
colours look unclear because their colour values are similar, or
when the harshness of colours opposite in hue should be toned down,
use this technique. When a neutral colour is placed between two
colours which don’t really complement each other, it assumes
the role of a connector, and so the entire scheme is arranged well.
Neutral colours here are usually white and black – most effective
and clean. Next is gray; sometimes beige works. Gold and silver
can also work. |
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One-Point Colour
Scheme: This is also called accent colouring. Concerned with
contrasts, its effect derives from the division of the surface area
into large and small regions with an opposing colour set into the
smaller area. The aim is to balance the whole scheme. For hue contrast
and lightness contrast, either of the opposite colours can be used
as the ground, but for saturation contrast, the schemes look better
composed if a subdued colour is used as the ground (background)
and a vivid colour as the point (accent). This gives priority to
shape, so it is essential to calculate the shapes beforehand. |
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